Yeah, and he's f***in' bowlin' police out of the way! OH, he goes apeshit, and 35,000 fans, you know, they charge the field, you know? He's going, "Get over! Get over! Get OVER!" And then it HITS the foul pole. High fly ball down the left field line! Thirty-five thousand people, on their feet, yellin' at the ball, but that's not because of Fisk. Steps up to the plate, you know, and he's got that weird stance.Īnd BAM! He clocks it. Bottom of the 12th, in stepped Carlton Fisk. You know, bottom of the 8th Carbo ties it up at a 6-6. I was sittin' in a bar, waitin' for the game to start, and in walks this girl. My friends and I had, you know, slept out on the sidewalk all night to get tickets. Cus' it was game six of the World Series. So, when did you know, like, that she was the one for you? Scenes such as Affleck's clumsy pep talk to Damon while they drink beer after work, or any number of therapy session between Williams and Damon offer poignant looks at the awkward ways men show affection and feeling for one another. The film's beauty lies not with grand climaxes, but with small, quiet moments. Both doctor and patient are haunted by the past, and as mutual respect develops, the healing process begins. Damon only avoids prison by agreeing to see psychiatrists, all of whom he mocks or psychologically destroys until he meets his match in the professor's former childhood friend, played by Williams. While working as a university janitor, he solves an impossible calculus problem scribbled on a hallway blackboard and reluctantly becomes the prodigy of an arrogant MIT professor (Stellan Skarsgård). Matt Damon stars as Will Hunting, a closet math genius who ignores his gift in favor of nightly boozing and fighting with South Boston buddies (co-writer Ben Affleck among them). Van Sant pulls off the equivalent of what George Cukor accomplished for women's melodrama in the '30s and '40s: He's crafted an intelligent, unabashedly emotional male weepie about men trying to find inner-wisdom. The unconventional director (My Own Private Idaho, Drugstore Cowboy) saves a script marred by vanity and clunky character development by yanking soulful, touching performances out of his entire cast (amazingly, even one by Williams that's relatively schtick-free).
Robin Williams won the Oscar for Best Supporting Actor, and actors Matt Damon and Ben Affleck nabbed one for Best Original Screenplay, but the feel-good hit Good Will Hunting triumphs because of its gifted director, Gus Van Sant.